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‘Michael Jackson Pulls Further Ahead of ‘Bohemian Rhapsody’ as Top-Grossing Music Biopic Worldwide: See the Top 25

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‘Michael Jackson Pulls Further Ahead of ‘Bohemian Rhapsody’ as Top-Grossing Music Biopic Worldwide: See the Top 25

The Michael Jackson biopic Michael has pulled further ahead of the Freddie Mercury biopic Bohemian Rhapsody as the top-grossing musician biopic of all time. As of Sunday (July 5), Michael has grossed $978.6 million. Bohemian Rhapsody has grossed $911 million.

Moreover, Michael has topped Oppenheimer to become the highest-grossing biopic of all time.

not just the top-grossing musician biopic. Christopher Nolan’s 2023 biopic of theoretical physicist J. Robert Oppenheimer, who helped develop the first nuclear weapons during World War II, has grossed $975.8 million worldwide.

According to Box Office Mojo figures, international ticket sales account for 62.1% of Michael’s worldwide box office total to date. (The remainder is from the U.S. and Canada.) By way of comparison, international ticket sales accounted for 76.2% of Bohemian Rhapsody’s worldwide box office total.

Jackson has a long history of ranking No. 1 on lists, dating back to The Jackson 5 landing their first No. 1 hit on the Billboard Hot 100 with “I Want You Back” in January 1970.

Jackson and Mercury have much in common. Both rose to fame in groups, The Jackson 5 and Queen, respectively. Both are widely considered two of the greatest showmen of all time. And both died years before their time. Mercury died in 1991 at age 45 of complications from AIDS. Jackson died in 2009 at age 50 of cardiac arrest caused by acute propofol intoxication.

The two superstars crossed paths in the early 1980s, when Jackson attended Queen concerts in Los Angeles. They occasionally met for dinner and even recorded three demo tracks together that went unfinished.

Another common bond: There were successful theatrical productions based on both artists’ music. The Queen musical, We Will Rock You, opened on London’s West End in 2002. MJ: The Musical has been a fixture on Broadway since Dec. 6, 2021.

Also, Graham King, who co-produced Michael with long-time Jackson associates John Branca and John McClain (who died on May 26 at age 71), also co-produced Bohemian Rhapsody and a third music biopic on Billboard’s list of music biopics, Jersey Boys, the story of the Four Seasons.

Here is that list – the highest-grossing biopics of musicians in terms of worldwide box office. We excluded some high-grossing films about real-life music personalities because the subjects are not well-known music stars in their own right. These include The Sound of Music (which tells the story of Maria von Trapp and the Trapp Family Singers); Green Book (which deals with a road trip taken by pianist and composer Don Shirley); Florence Foster Jenkins (about an heiress and hopelessly untalented soprano by that name); and Music of the Heart (about violinist and music educator Roberta Guaspari). Meryl Streep starred in the latter two films.

Here are the 25 biopics of music stars with the highest worldwide grosses.

  • Selena (1997) Worldwide gross: $35.8 millionDirector: Gregory NavaMusic: Dave Grusin Notes: Rising star Jennifer Lopez starred as Tejano music star Selena, who rose from cult status to performing at the Houston Astrodome. The film includes her shocking murder at age 23 at the hands of former fan club president Yolanda Saldívar. The soundtrack reached No. 7 on the Billboard 200.
  • Shine (1996) Worldwide gross: $36 million Director: Scott Hicks Music: David Hirschfelder Notes: Geoffrey Rush won an Oscar for best actor for playing pianist David Helfgott, who suffered a mental breakdown and spent years in institutions. The film was nominated for seven Oscars, including best picture. The soundtrack reached No. 59 on the Billboard 200.
  • Funny Lady (1975) Worldwide gross: $39 million Director: Herbert RossMusic: John Kander, Fred Ebb, Peter Matz Notes: This was the less-celebrated, but still popular, sequel to 1968’s Funny Girl. Barbra Streisand reprised her Oscar-winning role as Fanny Brice and James Caan played showman Billy Rose. The film spawned an Oscar-nominated song, “How Lucky Can You Get?” The film soundtrack reached No. 6 on the Billboard 200.
  • What’s Love Got to Do With It (1993) WHAT'S LOVE GOT TO DO WITH IT Image Credit: D. Stevens / © Buena Vista Pictures / Courtesy Everett Collection Worldwide gross: $39.1 million Director: Brian Gibson Music: Stanley Clarke Notes: Angela Bassett received an Oscar nomination for best actress for playing the indomitable Tina Turner in this biopic. Laurence Fishburne received an Oscar nod for best actor for playing her abusive husband, Ike Turner.
  • The film drew its title from Turner’s biggest hit, which topped the Billboard Hot 100 for three weeks in 1984 and won Grammys for record and song of the year. The film’s soundtrack reached No. 17 on the Billboard 200 and spawned a top 10 hit on the Hot 100, “I Don’t Wanna Fight.”
  • Notorious (2009) Worldwide gross: $44.4 million Director: George Tillman Jr. Music: Danny Elfman Notes: Jamal Woolard starred as Christopher Wallace (a.k.a. The Notorious B.I.G.) in this biopic.
  • After rising to the top of the rap music world, Biggie was shot to death at age 24 in 1997. Angela Bassett, Derek Luke and Anthony Mackie also starred in the film. The soundtrack reached No. 4 on the Billboard 200.
  • Springsteen: Deliver Me from Nowhere (2025) Worldwide gross: $45.2 million Director: Scott Cooper Music: Jeremiah Fraites Notes: Jeremy Allen White, the Primetime Emmy-winning star of The Bear, stars as Bruce Springsteen in this film, which focuses on the period following his commercial breakthrough, The River, where Springsteen felt compelled to make a low-key, acoustic album, Nebraska.
  • The film was written and directed by Scott Cooper and is based on the 2023 book Deliver Me from Nowhere by Warren Zanes, with some elements drawn from Springsteen’s 2016 autobiography Born to Run. The film also stars Jeremy Strong, Paul Walter Hauser, Stephen Graham and Odessa Young.
  • The film received mixed reviews from critics, though the performances of White and Strong received praise. The music was supervised by Fraites, co-founder of The Lumineers and a songwriter for the band. Like The Boss, Fraites was born and raised in New Jersey.
  • Judy (2019) Worldwide gross: $46 million Director: Rupert Goold Music: Gabriel Yared Notes: Renée Zellweger won an Oscar for best actress for playing Judy Garland in this film.
  • The irony: Garland never won a competitive Oscar, despite two nominations, one in the same category in which Zellweger won. Judy wasn’t a standard biopic but a look at the last year of her life, when she arrived in London in the winter of 1968 to perform a series of sold-out concerts.
  • Zellweger was nominated for a Grammy for the soundtrack in the category of best traditional pop vocal album.
  • Funny Girl (1968) Worldwide gross: $52.2 million Director: William Wyler Music: Jule Styne, Bob Merrill Notes: Barbra Streisand won an Oscar for her motion picture debut in which she played Fanny Brice, a top star of the vaudeville era.
  • “My Man” and “I’d Rather Be Blue”, both featured in Funny Girl, were hits for Brice in the 1920s. Streisand won best actress in a tie (still the only one in the history of the category) with Katharine Hepburn, who won for The Lion in Winter.
  • “Hello, gorgeous,” Streisand began her speech, graciously adding, “And I’m very honoured to be in such magnificent company as Katharine Hepburn.” Funny Girl received eight nominations, including best picture and best original song for “Funny Girl.” The film soundtrack reached No. 12 on the Billboard 200 and spent more than two years on the chart.
  • Amadeus (1984) Worldwide gross: $52.3 million Director: Miloš Forman Notes: Tom Hulce received an Oscar nomination for best actor for playing Wolfgang Amadeus Mozart but lost to F. Murray Abraham, who had the showier role as Antonio Salieri and was insanely jealous of Mozart’s talent.
  • The film received 11 Oscar nominations and won eight awards, including best picture and best director for Miloš Forman. Peter Shaffer also won the Oscar for best adapted screenplay for his stage play, which had won five Tony Awards in 1981. The double-disc soundtrack, credited to conductor/arranger Neville Marriner, reached No. 56 on the Billboard 200 and won a Grammy for best classical album.
  •  La Bamba (1987) LA BAMBALA BAMBA Image Credit: © Columbia/courtesy Everett Collection Worldwide gross: $54.2 million Director: Luis Valdez Music: Carlos Santana, Miles Goodman Notes: Lou Diamond Phillips starred as Chicano music star Ritchie Valens, who died at age 17 in the same plane crash that claimed the lives of Buddy Holly and the Big Bopper.
  • The film is titled after a Mexican folk song, which Valens completely transformed with his rock and roll rendition in 1958. Valens’ version reached No. 22 on the Hot 100 in 1959. (It was not his biggest hit.
  • That was “Donna”, which reached No. 2.) The film soundtrack, credited to Los Lobos, topped the Billboard 200 for two weeks in 1987. Los Lobos’ zesty recording of “La Bamba” topped the Hot 100 for three weeks and received Grammy nominations for record and song of the year.
  • All Eyez on Me (2017) Worldwide gross: $55.7 million Director: Benny Boom Music: John Paesano Notes: Demetrius Shipp Jr starred as Tupac Shakur in this film, with Jamal Woolard reprising his role as Christopher “The Notorious B.I.G.”.
  • Wallace from Notorious. Shipp’s father worked on music videos with 2Pac, who was shot dead in 1996 at age 25. The film drew its title from 2Pac’s 1996 double-disc album, his second to top the Billboard 200.
  • Whitney Houston: I Wanna Dance With Somebody (2022) Worldwide gross: $59.8 million Director: Kasi Lemmons Music: Chanda Dancy Notes: Naomi Ackie starred in this film, which arrived 10 years after Houston’s shocking death. Stanley Tucci co-starred as Clive Davis, who signed Houston to Arista Records in 1983 when she was just 19.
  • Davis oversaw her tremendous rise but was unable to prevent her tragic fall. The film is titled after Houston’s 1987 single that topped Billboard’s 2023 list of The 500 Best Pop Songs: Staff List.
  • Coal Miner’s Daughter (1980) Worldwide gross: $67.2 million Director: Michael Apted Music:
  • Owen Bradley Notes: Sissy Spacek won an Oscar for best actress for playing country queen Loretta Lynn.
  • The film received seven Oscar nominations, including best picture. Tommy Lee Jones, Beverly D’Angelo and Levon Helm had supporting roles.
  • Ernest Tubb, Roy Acuff, and Minnie Pearl made cameos as themselves. The film was based on a 1976 biography of Lynn by George Vecsey also titled Coal Miner’s Daughter. Both the book and the film drew their titles from Lynn’s signature hit, which reached No. 1 on Billboard’s Hot Country Singles chart (as it was called then) in December 1970.
  • The soundtrack reached No. 40 on the Billboard 200.
  • Jersey Boys (2014) Worldwide gross: $67.6 million Director: Clint Eastwood Music: Bob Gaudio Notes: Clint Eastwood directed and co-produced this film adaptation of the blockbuster stage musical, which opened on Broadway in 2005.
  • The biopic about The Four Seasons starred John Lloyd Young as Frankie Valli, Erich Bergen as Bob Gaudio, Michael Lomenda as Nick Massi and Vincent Piazza as Tommy DeVito. The film didn’t get nearly as much awards love as the stage musical did.
  • The musical won four Tony Awards, including Best Musical and Best Actor in a Musical for Young. The film didn’t land a single Oscar nod. Valli and Gaudio served as executive producers of the film. The soundtrack reached No. 15 on the Billboard 200.
  • I Can Only Imagine (2018) Worldwide gross: $86.1 millionDirectors: Andrew & Jon Erwin Music: Brent McCorkle Notes: Michael Finley starred as Bart Millard, the lead singer of the contemporary Christian band MercyMe.
  • Millard wrote the title song about his relationship with his father, played by Dennis Quaid. The song reached No. 71 on the Hot 100 and charted for 18 weeks. At the 2018 Dove Awards, the film, which also starred Trace Adkins and Cloris Leachman, won the award for inspirational film of the year. A 2026 sequel, I Can Only Imagine 2, grossed $18.7 million worldwide.
  • La Vie En Rose (2019) Worldwide gross: $87.5 million Director: Olivier Dahan Music: Christopher Gunning Notes: Marion Cotillard won an Oscar for her role as the French singer who recorded the 1947 classic that gave the film its title.
  • The song reached No. 23 on Billboard’s pre-Hot 100 pop chart in 1950. (Piaf also had one Hot 100 entry, “Milord”, in 1961.) The literal translation of “La Vie En Rose” is “Life in Pink”, a figurative reference to rose-coloured glasses.
  • Ray (2004) Worldwide gross: $124 million Director: Taylor Hackford Music: Craig Armstrong Notes: Jamie Foxx won an Oscar for best actor for playing Ray Charles, the genre-bridging musician who lived up to the label “genius”, which was often bestowed on him. The film received six Oscar nominations, including best picture.
  • Taylor Hackford directed and co-produced the film and co-conceived the story. The soundtrack reached No. 9 on the Billboard 200 and won a Grammy for best compilation soundtrack album for motion picture, television or other visual media.
  • A Complete Unknown (2024) Worldwide gross: $140.5 million Director: James Mangold Music: Nick Baxter, executive music producer Notes: Timothée Chalamet stars as Bob Dylan in this biopic, which follows Dylan from January 1961, when he moved from Minnesota to New York City, to his 1965 concert at the Newport Folk Festival, which stirred controversy over the use of electric instruments.
  • James Mangold, who directed the Johnny Cash biopic Walk the Line, also did the honours here. The cast also includes Edward Norton as Pete Seeger, Monica Barbaro as Joan Baez, Boyd Holbrook as Johnny Cash and Scoot McNairy as Woody Guthrie, among others. The title is drawn from a key line in Dylan’s 1965 classic, “Like a Rolling Stone.”
  • Bob Marley: One Love (2024) Worldwide gross: $181 million Director: Reinaldo Marcus Green Music: Kris Bowers Notes: “First he changed music.
  • Then he changed the world” was the tagline for this film, which was directed and co-written by Reinaldo Marcus Green. It was based on the life of reggae legend Bob Marley, from his rise to fame in the mid-1970s up until his death in 1981.
  • The film starred Kingsley Ben-Adir as Marley, with Lashana Lynch as his wife Rita Marley and James Norton as Island Records founder Chris Blackwell.
  • Walk the Line (2005) Worldwide gross: $186.8 million Director: James Mangold Music: T-Bone Burnett Notes: Joaquin Phoenix received an Oscar nomination for best actor for playing country legend Johnny Cash, while Reese Witherspoon won best actress for playing his wife, country star June Carter Cash. The film received five Oscar nominations.
  • The screenplay, written by James Mangold (who also directed the film) and Gill Dennis, was based on two Cash autobiographies—1975’s Man in Black:
  • His Story in His Own Words and 1997’s Cash: The Autobiography. The film took its title from Cash’s 1956 hit, “I Walk the Line.” The soundtrack reached No. 9 on the Billboard 200 and won a Grammy for best compilation soundtrack album for motion picture, television or other visual media.
  • Rocketman (2019) ROCKETMANROCKETMAN Image Credit: David Appleby / © Paramount / Courtesy Everett Collection Worldwide gross: $195.3 million Director: Dexter Fletcher Music: Matthew Margeson Notes: Taron Egerton won raves for his performance as Elton John, with Jamie Bell playing his collaborator, Bernie Taupin.
  • But the actors were passed over for Oscar nods, while the real thing, Elton and Bernie, won Oscars for best original song for “(I’m Gonna) Love Me Again.”
  • The film drew its title from John’s 1972 hit, which reached No. 6 on the Hot 100 – his highest ranking to that point. (Many bigger hits were in his future.) The soundtrack reached No. 50 on the Billboard 200.
  • Straight Outta Compton (2015) Worldwide gross: $201.6 million Director: F. Gary GrayMusic: Joseph Trapanese Notes: Ice Cube was played by his real-life son, O’Shea Jackson Jr, in this N.W.A biopic, which also starred Corey Hawkins as Dr Dre, Jason Mitchell as Eazy-E, Neil Brown Jr as DJ Yella and Aldis Hodge as MC Ren.
  • Paul Giamatti was featured as N.W.A.’s manager Jerry Heller. The members of N.W.A were involved in the film’s production, with Ice Cube and Dr. Dre serving as producers. Eazy-E’s widow, Tomica Woods-Wright, was also a producer, while MC Ren and DJ Yella served as creative consultants.
  • The film drew its title from N.W.A.’s debut album, which reached a new peak on the Billboard 200 (No. 4) following the film’s release.
  • The album had originally peaked at No. 37 in 1989. On Aug. 7, 2015, one week before the film’s release, Dr. Dre released Compton: A Soundtrack by Dr. Dre. Though not an official soundtrack, Dre said the album was “inspired by the movie.” It debuted at No. 2 on the Billboard 200.
  • Elvis (2022): Worldwide gross: $288.7 million Director: Baz Luhrmann Music: Elliott Wheeler Notes: Elvis was Baz Luhrmann’s biopic of Elvis Presley, from his childhood to becoming one of the greatest pop music stars of all time.
  • The film also explored his complex relationship with his manager, Colonel Tom Parker, played by Tom Hanks. In addition to directing the film, Luhrmann co-wrote and co-produced it.
  • This was Luhrmann’s sixth film, following Strictly Ballroom (1992), Romeo + Juliet (1996), Moulin Rouge! (2001), Australia (2008) and The Great Gatsby (2013). The soundtrack, attributed to Elvis Presley and Various Artists, reached No. 26 on the Billboard 200.
  • Bohemian Rhapsody (2018) Worldwide gross: $911 million Director: Brian Singer Music: Queen Notes: Rami Malek won an Oscar for best actor for playing Queen’s charismatic lead singer Freddie Mercury. The film also starred Gwilym Lee as guitarist Brian May, Ben Hardy as drummer Roger Taylor and Joe Mazzello as bassist John Deacon.
  • May and Taylor served as consultants on the film, which focused on the period from the band’s formation in 1970 to their triumphant performance at Live Aid in Wembley Stadium in 1985.
  • The film received five Oscar nominations, including best picture, and won four awards, more than any other film that year.
  • The film drew its title from Queen’s most famous song, which reached No. 9 on the Hot 100 in 1976 and No. 2 in 1992 after being featured in the box-office smash “Wayne’s World.” The Bohemian Rhapsody soundtrack reached No. 2 on the Billboard 200.
  • Michael (2026) Worldwide gross:
  • $978.6 million (to date) Director: Antoine FuquaMusic: Lior Rosner Notes: Michael focuses on a two-decade period, from 1966 to 1988, when Jackson rose from a talented pre-teen in Gary, Indiana, to the biggest pop star on the planet.
  • Jackson is portrayed as a child by Juliano Krue Valdi and as an adult by his nephew Jaafar Jackson (Jermaine Jackson’s son) – both in their film acting debuts.
  • The supporting cast includes Nia Long, Laura Harrier, Miles Teller and two-time Oscar nominee Colman Domingo.
  • The film has received mixed to negative reviews; critics praised Jaafar-Michael Jackson’s performance but found the storytelling to be sanitised. Fuqua directed Denzel Washington to an Oscar in Training Day. Fuqua’s other credits include three instalments of The Equaliser, which also starred Washington.



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The Nationals’ bullpen collapsed again.

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The Nationals’ bullpen collapsed again.



The Nationals pitching staff couldn’t handle the heat.

Washington’s bullpen turned a close game into a blowout by allowing seven runs in the final two innings of Sunday’s 11-5 loss to the Pittsburgh Pirates.

Nationals manager Blake Butera said after the disappointing loss that the District’s ongoing heat wave was at least partially to blame for Sunday’s pitching struggles.

The late slump — combined with a weak start by Nationals pitcher Cade Cavali — created an insurmountable deficit for Washington’s usually high-scoring lineup.

Cavalli allowed six hits and four runs in just 2 1/3 innings of work.

“The heat just got to him,” Butera said after the game, noting Cavalli reported a headache during his outing. “He got pretty dehydrated there, just ran out of gas.”

“I don’t understand why my body reacted the way it did [to the heat,]” Cavali said. “In the second inning, I threw a pitch where I hit one after the other and got a little light. … Just a weird feeling I was having. That’s not an excuse for how I threw the ball.

His relentless pace sank every innings. After a scoreless first, Cavali allowed three runs on singles in the second and a solo home run to lead off the third. Butera pulled his starter after another batter reached the outfield on a ground ball.

But the Nationals rallied after Cavali’s early exit despite a 4-0 deficit. Washington’s relievers pitched five scoreless innings while the offence found its spark.

First baseman Luis Garcia Jr., whom manager Blake Butera called Washington’s “Barry Bonds” before the game, slapped a two-run homer in the bottom of the third to cut Pittsburgh’s four-run lead in half.

It was Garcia’s 19th home run of the season, a new career high for the infielder who debuted in 2020. He has added 16 to his total in the past six weeks.

The Nationals gave the Pirates the lead again an inning later.

when outfielder Dylan Crews scored on second baseman Jorbit Vivas’ groundout from third base.

In the bottom of the fifth, shortstop CJ Abrams took the plate with the bases loaded and no outs. His pop fly made a diving catch by Pirates shortstop Connor Griffin, allowing James Wood to score the tying run from third base.

But Washington’s bullpen, as has been the case all season, couldn’t hold a lead.

Reliever Brad Lord allowed five runners to reach base after starting his outing with four consecutive strikeouts. Each of the five batters faced two strikes before eventually going to the first baseman.

“Maybe it was trying to do too much with two attacks,” Lord said.

Butera again cited the heat — gametime temperatures started at 92 degrees, with Washington’s humidity pushing the heat index into the triple digits — as a possible reason for the Lord’s struggles.

“The weather was tough,” the manager said. “He couldn’t finish hitters off when he was ahead in the count. He started to run out of some gas there in the second inning. The heat was real.”

Griffin took advantage of the bases-loaded opportunity with a two-run single.

The next batter, second baseman Brandon Lowe, cleared the bases with a three-run homer to give Pittsburgh a 9-4 lead.

The Pirates added two more runs in the ninth to seal the win.

Sunday was the latest disappointment in Washington’s ongoing bullpen struggles, a flaw that threatens to tank an upstart Nationals squad aiming for a postseason berth. Washington leads the league with 51 saves on the season. Relievers have converted just 26 of those opportunities.

The Nationals’ bullpen ranks fifth in the majors in ERA and has allowed eight more homers than any other MLB group.

Butera could not offer a solution to the ongoing problem on Sunday.

“Those guys were told to give us multiple innings out of the bullpen,” he said. “It’s difficult to do normally. It’s even harder to do when it’s hot, but these guys fought through.”

The 46-45 Nationals will continue their homestand with a three-game set against the Houston Astros starting Monday night. Washington currently trails the NL East-leading Atlanta Braves by 7 1/2 games. The Nationals are three games behind the St Louis Cardinals for the final wild-card spot.



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Samsung Galaxy A17 5G Smartphone, 128GB,

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Samsung Galaxy A17 5G Smartphone, 128GB,
Samsung Galaxy A17 5G Smartphone, 128GB,

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(as of Jul 05,2026 04:08:08 UTC – Details)

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IDEATECH 15-Pack Vacuum Storage Bags with Electric Pump,

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IDEATECH 15-Pack Vacuum Storage Bags with Electric Pump,
IDEATECH 15-Pack Vacuum Storage Bags with Electric Pump,

IDEATECH 15-Pack Vacuum Storage Bags with Electric Pump, Jumbo Vacuum Seal Bags for Clothing, Bedding & Blanket, Heavy Duty Compression Space Saver with Airtight Seal, Complete Home Storage-5M+5L+5XL


Price: $39.99 - $35.99
(as of Jul 05,2026 19:24:06 UTC – Details)

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Trump-Zelenskyy Meeting Set For NATO Summit Amid US Push To End Russia’s War

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Trump-Zelenskyy Meeting Set For NATO Summit Amid US Push To End Russia’s War

WASHINGTON — US President Donald Trump will meet Ukrainian leader Volodymyr Zelenskyy on the sidelines of this week’s NATO summit in Ankara, the White House announced on July 5, as Washington seeks to revive stalled diplomacy over Russia’s war while pressing Europe to take greater responsibility for the continent’s defence.

The announcement came a day after Trump held separate telephone conversations with Zelenskyy and Russian President Vladimir Putin, underscoring the administration’s effort to position itself as the key mediator in a conflict that has entered its fifth year with no breakthrough in peace efforts.

Following the call, Zelenskyy said he had briefed Trump on the battlefield situation and that the two leaders agreed to continue discussions during the NATO summit.

“There is a real prospect to put an end to this war, and America’s resolve is decisive,” Zelenskyy wrote on X.

Zelenskyy also warned that intelligence suggests Russia is preparing yet another massive air campaign against Ukraine, following the deadly barrage on the night of July 1–2.

This attack is in the spirit of Putin — right after America’s Independence Day and before the NATO summit in Ankara. Russia wants to add to the evil and kill people,” Zelenskyy said in his video statement on July 5.

The Kremlin said Trump’s roughly 90-minute conversation with Putin included Trump’s reiteration of his readiness to continue mediation efforts, while Putin repeated Moscow’s position that any settlement must take account of Russia’s “fundamental approach” to resolving the conflict.

The calls come as months of US-led diplomacy have failed to narrow the gap between Kyiv and Moscow. Russia continues to insist on control of the occupied parts of Ukraine’s east, while Kyiv has rejected territorial concessions.

White House Says Battlefield Has Largely Stalled

White House Principal Deputy Press Secretary Anna Kelly confirmed that Trump would meet Zelenskyy on July 8.


US President Donald Trump and Ukraine’s Volodymyr Zelenskyy meet on the sidelines of NATO summit in The Hague, Netherlands, on June 25, 2025.

During a background briefing, senior US officials said the meeting would build on Trump’s conversations with both Zelenskyy and Putin and reflect the administration’s continuing effort to end the war.

“The battlefield has clearly frozen over the last couple of months, and neither side is making a lot of progress,” one senior US official said.

The official said the continued fighting, including long-range strikes by both Russia and Ukraine, has reinforced Trump’s determination to seek a negotiated settlement.

“There’s tremendous death that’s going on,” the official said, adding that the president feels “a real sense of urgency” to stop the war.

“Both sides have articulated…that President Trump plays a unique role in his ability to try to mediate the situation,” the official added.

Responding to questions about recent Ukrainian advances and drone strikes inside Russia, another senior official maintained that the overall military balance had changed little.

“It’s a lot easier to play defence than it is to play offence,” the official said.

“There are some small areas where Ukraine has made progress; there are some small areas where Russia’s made progress, but the line of contact has been frozen over the last couple of months.”

“What the president supports is ending the war,” the official added.

US Vice President JD Vance speaks during a press briefing at the White House in Washington, D.C., in June, 2026.

US Vice President JD Vance speaks during a press briefing at the White House in Washington, D.C., in June, 2026.

The assessment echoed comments by Vice President JD Vance in an interview for The Sunday Times published on July 5, in which he argued Ukraine has been more effective wearing down Russian forces through defensive operations and long-range drone strikes than through large-scale offensives.

In recent months, Ukraine has intensified attacks on Russian oil facilities, fuel depots, and military infrastructure deep inside Russia, seeking to increase pressure on Moscow even as fighting along much of the front has settled into a war of attrition.

Defense Spending To Dominate NATO Agenda

While Ukraine is expected to feature prominently in Trump’s meetings, administration officials indicated the summit’s central focus will be NATO burden-sharing.

US Ambassador to NATO Matthew Whitaker.

US Ambassador to NATO Matthew Whitaker.

US Ambassador to NATO Matt Whitaker said allies have committed nearly $139 billion in additional defence spending since last year’s NATO summit, with roughly half expected to be spent on American-made weapons, munitions, and military equipment.

He praised Poland, the Nordic countries, the Baltic states, and Germany for increasing defence spending but said “many others are lagging behind.”

“President Trump expects all allies to step up immediately,” Whitaker said, adding they should reach NATO’s five per cent defence spending benchmark “as soon as possible”.

Whitaker said the administration’s objective remains shifting responsibility for Europe’s conventional defence to European allies and Canada.

“We have responsibilities elsewhere in the world, as the world’s only superpower,” he said. “We need capable allies.”

He stressed that the US “remains a proud NATO member” but argued stronger European militaries would allow Washington to focus on security challenges beyond Europe.

Kelly described the administration’s approach as “NATO 3.0”, saying it aims to transform the alliance “from a model of dependency on the US to one of real burden sharing and self-reliance”.

Asked what consequences allies could face if they fail to meet spending targets, senior officials said the immediate consequence would be strategic vulnerability.

“The consequences…are ultimately a less capable Europe and Canada, a more vulnerable strategic ally,” the official said, adding that Trump would deliver his message directly to alliance leaders during the summit.

Troop Review Reflects Broader Strategic Shift

Senior US officials also confirmed that the Pentagon is reviewing US troop deployments and military bases across Europe, though they emphasised no decisions have been made.

Officials said the review is part of a broader strategy to rebalance US military resources while encouraging European allies to assume greater responsibility for regional defence.

A US soldier in Germany.

A US soldier in Germany.

“There should be no surprise that we’re doing a posture review,” one senior US official said.

The official added that the review “very well may lead to us adjusting our posture because we’re trying to shift burden to Europe”.

“More capable allies in Europe will allow them to meet threats that exist in Europe that they’re perfectly able to meet, and that will allow us to focus elsewhere,” the official said.

Whitaker said the review reflects growing global demands on US forces.

“Our adversaries aren’t waiting for us to be more capable,” he said. “The strength of the alliance is what’s going to deter and defend the alliance into the future.”

Defense Deals: Greenland Also Expected To Feature

Administration officials also predicted “billions of dollars” in defence-related announcements on the sidelines of the summit, including joint production agreements, new manufacturing facilities, and purchases of advanced US weapons systems.

“Our challenge is not orders,” Whitaker said. “Our challenge continues to be the defence industrial base.”

Officials said US defence manufacturers currently have roughly $300 billion in back orders from European and Canadian allies.

Icebergs float in the water off Nuuk, Greenland.

Icebergs float in the water off Nuuk, Greenland.

Senior officials also defended Trump’s longstanding proposal that the United States acquire Greenland, arguing that the Arctic island has become increasingly important to NATO’s security because of growing naval activity in the region and its role in missile defence.

“There really is no disagreement amongst any NATO ally about the importance of the defence considerations of Greenland,” one senior US official said. “It’s about how to solve them.”

The official said the administration continues to believe US acquisition of Greenland would best address those security concerns, while acknowledging Washington is also discussing other possible arrangements with Denmark and Greenland.



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NHS accelerates artificial intelligence rollout to cut waiting times and improve care for millions

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NHS accelerates artificial intelligence rollout to cut waiting times and improve care for millions
NHS accelerates artificial intelligence rollout to cut waiting times and improve care for millions

A major rollout of new artificial intelligence (AI) tools in the NHS is being accelerated to help cut waiting lists and improve care for millions of patients.

The NHS is prioritising a new AI triage tool in the app to direct patients to the most appropriate service, along with wider access to an AI notetaking tool to reduce administration for staff, as part of the improvements across England.

Today, the NHS is setting out how the £10bn of funding allocated by the government last year will be used over the next three years to deliver a massive overhaul of the health service’s technology, digital and data systems.

These reforms are expected to meet almost half the commitments of the government’s 10-year health plan and generate total benefits of £41 billion over the next decade.

The NHS app’s new AI triage tool is being launched following a successful trial. It is set to reach more than 200,000 patients within the next 12 months and be available to all NHS app users by April 2028.

The tool ensures patients are directed to the right care the first time – whether that’s a GP appointment, pharmacy, A&E, community service or self-care advice – by customising questions based on their responses to gain more detailed information about their condition.

It then either directs them to the most appropriate service or provides the information that physicians need to prioritise care.

An initial trial at a GP practice in Sussex resulted in a 29% reduction in the number of people queuing on the phone – helping to eliminate the 8am rush while maintaining patient satisfaction levels.

Patients will continue to have the option to use traditional methods to contact their GP practice, along with the new AI triage tools in the NHS app.

NHS England will also support the national rollout of an AI tool that records interactions between patients and NHS staff to generate real-time transcriptions and clinical summaries.

The rollout will begin with hospital appointments, with no need for an overnight stay, where their use has helped significantly reduce the time physicians spend on administration.

A major NHS study published last year found that AI notetaking tools, known as ambient voice technology, freed up physicians to spend almost a quarter more of their time with patients.

The study, led by Great Ormond Street Hospital, found that expanding the technology nationally to the more than 11,000 A&E physicians in England could make room for more than 9,000 additional A&E consultations each day.

Thousands of NHS staff in south-west London will benefit from the technology which is being rolled out across four NHS trusts – St George’s; Epsom and St Helier; Croydon; and Kingston and Richmond.

A pilot in the emergency department of St George’s Hospital in Tooting found that the technology saved doctors an average of 47 minutes per shift – allowing each member of staff to see one additional patient per shift.

Alder Hey Children’s NHS Foundation Trust and Manchester University NHS Foundation Trust are also expanding their AI note-taking programs to more than 3,000 physicians following successful pilots.

Other plans, which are part of a £10 billion technology, digital and data investment, include NHS app users being able to attend online appointments with specialist physicians across England using the NHS’s new virtual hospital service – NHS Online.

Patients will also be able to use the NHS app to request follow-up appointments after treatment, and NHS-approved digital tools will help them manage exercise and rehabilitation for common lung and heart conditions, giving them more control over their healthcare.

The NHS will also introduce a single patient record to provide a complete picture of a patient’s medical history to specialists across the NHS, introduce new digital tools to help staff manage urgent and planned patient care more effectively, and enhance cyber security to protect patient data and NHS systems.

More than 500,000 NHS staff are also being provided access to Microsoft Copilot after a trial cut the time staff spent on administration by an average of two days per month.

AI helps personal support staff draft documents and analyse data more efficiently, leaving more time for patient care.

Sir Jim Mackay, chief executive of NHS England.

The huge changes we are seeing in technology over the coming years will transform services.

“The new AI tool in the NHS app will help patients get the best service for their needs for the first time – whether that’s a GP appointment, a visit to the pharmacy or advice on self-care at home – so doctors can ensure that those who most need a GP appointment get one sooner.

“We are also seeing giant benefits from the introduction of the AI ​​notetaking tool, with clinicians feeling they are able to spend a quarter more of their time with patients, so we are rolling out the tool as quickly as possible across the NHS.

“We are prioritising the reforms that will make the most significant difference and supporting local leaders to adopt them to transform their services – helping to cut waiting lists and improve care for millions of patients so the NHS is fit for the future.”

Health and Social Care Secretary

James Murray said: “As the NHS celebrates 78 years of serving patients, this investment shows how we can build on that proud legacy by adopting the technologies that will shape its future.

As someone who believes in the power of technology to transform public services, I have made sure we are supporting the right innovations that will have the most positive impact on patients and clinicians and give us the best value for money.

I am confident that the technological innovations I have chosen to prioritise will deliver the right care to patients more quickly, free our talented physicians from the burden of paperwork, and help reduce wait times.

“By harnessing the power of AI – using it to give people the right service the first time and giving doctors more time to spend with patients – we are making the NHS work better for patients and staff alike and helping to make it fit for the future over the next 78 years.”

Dr Ragu Rajan, from Wealden Ridge Medical Partnership in Sussex, who ran an initial trial of the AI ​​triage tool in the NHS app. Said: “As a rural practice serving 23,000 patients across four sites, we know how difficult it can be for people to reach us.

“Integrating AI triage directly into the NHS app means our patients can tell us what they need, when they need it, and be directed to the right care the first time. It hasn’t replaced our judgement; it’s given us back the time to use it.

Dr Ahmed Mahdi, consultant in emergency medicine for St George’s University Hospital NHS Foundation Trust, which is rolling out AI notetaking technology, said: “When you’re caring for patients in a fast-paced environment, every second really counts – and this technology can make a real difference by reducing the time we spend on documentation and allowing us to focus on what matters most.

NHS app means our patients can tell us what they need,

“Such progress means we can see more patients per shift, reducing pressure on staff in an incredibly busy environment, and we’re really excited to be part of an NHS-first rollout that is helping us see more sick and injured people quicker.”

Mark Cuban, Chief Executive of Manchester University NHS Foundation Trust, said: “The whole of the NHS is looking at how technology can support our workforce and help run services more effectively for patients. For an organisation of our size and scale, this initiative is a significant opportunity.

Our trials of ambient sound technology have shown real benefits, allowing practitioners to focus on the human interaction at the heart of healthcare rather than on note-taking and administration.

“The most important thing is to introduce the devices responsibly, with the right safety measures in place, and to involve physicians and teams closely in how they are used.”



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Teton Waters Ranch Introduces Organic Regenerative Ground Beef | 100% Grass-Fed & Finished

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Teton Waters Ranch Introduces Organic Regenerative Ground Beef | 100% Grass-Fed & Finished
Teton Waters Ranch Introduces Organic Regenerative Ground Beef | 100% Grass-Fed & Finished

Teton Waters Ranch, a leader in 100% grass-fed and finished beef products, is raising the bar in the meat case with the introduction of its new Organic Regenerative Grass-Fed & Grass-Finished Ground Beef. The product, which debuted at the Annual Meat Conference in March, brings together four of today’s most sought-after attributes in a single package: regenerative, certified organic, 100% grass-fed, and 100% grass-finished.

A New Standard in Sustainable Beef

The new ground beef offering represents a major milestone for the Loveland, Colorado-based company. According to CEO Kevin Pallaoro, bringing organic, regenerative products to market has been a long-term goal of his and an important step for the future of grass-fed beef.

As consumer interest in food sourcing and environmental impact continues to grow, Teton Waters Ranch has positioned this product to meet the demand for items produced using regenerative agriculture practices that support soil health, reduce carbon emissions, and increase biodiversity.

Four Key Attributes in One Package

The organic regenerative ground beef is built on a simple promise: one important ingredient, sourced well, and nothing else. The 1-pound packages feature just one ingredient—100% organic grass-fed and grass-finished beef—with an 85/15 lean-to-fat ratio.

Grass-Fed & Grass-Finished
No grains. Every animal is raised on 100% grass from start to finish, delivering beef that’s rich in flavour and perfect for burgers, tacos, meatballs, and hearty pasta sauces.

Certified Organic
Raised on pastures that are never sprayed with synthetic pesticides or artificial fertilisers, and certified to meet strict USDA organic standards from pasture to processing.

Humane Standards
Cattle are raised entirely on open pasture, never confined, and every step of their care prioritises animal welfare. Teton Waters Ranch partners only with ranchers who share their commitment to quality and animal welfare.

Regenerative Agriculture
Beyond sustainable, regenerative agriculture actively restores the land. The ranching practices protect watersheds and wildlife habitats, build healthier soil through natural carbon sequestration, and strengthen the entire ranch ecosystem for generations to come.

Availability and Pricing

The organic regenerative ground beef bricks are available now at select Sprouts Farmers Market and King Soopers locations. The suggested retail price range is $11.99–$12.99 per 16-ounce package.

Teton Waters Ranch debuts organic regenerative ground beef—perfect for summer burgers and weeknight meals.

Company Background

Teton Waters Ranch was founded in 2009 with a mission to nourish families and the planet with 100% grass-fed, grass-finished beef. The company’s commitment to regenerative agriculture is deeply rooted—it began as an experiment in environmental conservation on a former potato farm in Idaho.

By planting native grasses and letting cattle graze freely through rotation, the founders discovered that grazing fertilises the soil and creates a sustainable food system. This approach fosters deep, life-giving soil and practises carbon sequestration, helping to reverse the effects of climate change.

The company’s dedication to humane treatment means no antibiotics, no added hormones, and nothing artificial—just beef raised on pastures with a diverse mix of native grasses. In November 2022, Teton Waters Ranch merged with SunFed Ranch to form Grass Fed Foods.

A Growing Movement

The launch of the organic regenerative ground beef comes as Teton Waters Ranch continues to expand its product portfolio. The company is also introducing new refrigerated meatball products in Italian-style and homestyle flavours, which will be available nationwide at Whole Foods Market.

Earlier this year, Teton Waters Ranch expanded into frozen products with a new line of raw burger patties that earned second place in Refrigerated & Frozen Foods’ annual Best New Retail Products contest.

The company’s commitment to regenerative agriculture has become a defining feature of its brand identity. As Pallaoro explained, “That commitment to the land and to the humane treatment of animals has really resulted in delicious-tasting beef.”

For consumers seeking beef that aligns with their values while delivering on flavour, the new Organic Regenerative Ground Beef represents a significant step forward in sustainable meat options available at retail.


The new organic regenerative ground beef is available now in the fresh meat case at select Sprouts and King Soopers locations. Find a store near you to try this new offering from Teton Waters Ranch.

Tamil Nadu’s Ancient Temples Are the Soul of South India

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Tamil Nadu’s Ancient Temples Are the Soul of South India

Over eight days in Tamil Nadu,

I feel the centuries ripen and coalesce within me, like words finding their tune. Doesn’t the wonder of the present moment—and therefore of travel—sometimes lie precisely in its all-seeing belatedness, the way in which it can gather the entire past into itself?

Walking on the flagstones in the vast temple complex dedicated to the fish-eyed goddess Meenakshi in the ancient city of Madurai,

home to more than 30,000 statues of celestials; or marvelling at the 80-ton cupola perched atop 11th-century monarch Rajaraja Chola’s magnificent Brihadeeswara Temple in Thanjavur (said to have been hauled to the summit by a retinue of elephants on a ramp more than four miles long); or facing a life-sized elephant on the 43-foot-tall open-air frieze made in about AD 600 at Mahabalipuram,

One of the greatest examples of street art from the ancient world, I feel time differently. It’s a vital, sensual force, as teasing as Vishnu’s enigmatic smile.

“In North India the great monuments of the past are usually royal palaces and forts,” observes my wise guide and companion, N. Paneer Selvam, whose two great passions are temples and birds.

But the illustrious dynasties in the south, such as the Pallavas and the Cholas, devoted their energies to building temples.

There was a social consciousness among the monarchs: the king’s duty was to build a bridge between divine and human.

So the temples were at the heart of the everyday life of old India. They were centres of learning and poetry, schools of music and dance, and places of refuge when invaders came raiding.

Lovely sunrise, sun, water, person, cloud, sea animal, bird and Scenery

The old temples of Tamil Nadu.

He’s right. The old temples of Tamil Nadu are a treasure trove of forms incised on stone or magicked from brass and lavished daily with fruit and flowers, incense and sandalwood, music and light.

They entangle divine, human, animal, vegetative, historical and fantastical life into one shapeshifting, passionate pictorial script open to endless elaboration.

This language can also, suddenly, drop several octaves into minimalism. In the milling crowds, I can tell a follower of Siva by the three horizontal white lines on their forehead and a follower of Vishnu by two vertical ones, like the finials atop a temple. So simple.

Hinduism is a narrative religion; its mercurial wisdom lightens and sweetens through stories, softens through ambiguities, and sharpens through paradoxes. In the many legends about Siva and Vishnu portrayed in the temples and re-narrated by Selvam, things happen in a dimension distinct from historical time.

They take place in an eternal present, as immediate as the hot breath of the cow I feed sheaves of spinach to on a morning walk in Madurai, as around me scores of women stoop over their thresholds making kolams, decorative patterns, with rice flour.



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Women learn to get ahead in the male-dominated construction business:

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Women learn to get ahead in the male-dominated construction business:

Students take part in a tiling class at the Buildher training facility in Nairobi, Kenya.

On the busy workshop floor at Furniture International on the outskirts of Nairobi, women often have to shout to be heard over the din of circular saws, hammers and machinery. “At first, I was very shy,” says 24-year-old machine operator Diana Ojiambo — slight, with a blue bandana tied over long braids — as she feeds cabinet panels through a PVC edger. “I didn’t know how to stand in front of people and speak up. But now I can.”

Nearby, amid a sea of male coworkers, three other women sand and assemble cabinetry, while 23-year-old supervisor Jane Mwangi moves between stations, checking measurements and overseeing progress. Barely a year ago, none of these women had ever worked in the industry. Ojiambo had never worked alongside men before.

Women remain a rarity across Kenya’s building trades, even as a frenetic construction boom, particularly in Nairobi, has helped turn the sector into a multi-billion-dollar industry. According to figures from Kenya’s National Construction Authority, women accounted for just 3% of the country’s accredited construction artisans.

Those who do enter the sector are mostly confined to lower-paid informal jobs — carrying water, hauling sand or cleaning sites — rather than being trained for more specialised roles. Women are also typically saddled with the vast majority of unpaid caregiving and household work in a country that continues to battle long-held assumptions about gender roles.

Women take part in a tiling class at the Buildher Academy in Nairobi, Kenya.

Women take part in year-long training and internship programmes in tiling (above), carpentry, painting and other finishing trades.

Buildher, a Nairobi-based nonprofit, is trying to change that. The organisation runs year-long training and internship programmes in carpentry, tiling, painting and other finishing trades, helping women access steadier, better-paid work in the sector. Since its inception in 2019, Buildher says it has trained more than 1,000 women, with graduates increasing their average daily earnings roughly five- to sixfold within a year of training — from about $1.50 to between $11 and $12.

A 2024 study by Dalberg, a global development advisory firm, found that around 65% of Buildher graduates were still working in construction 12 months after completing the programme.

“I had seen women get stuck in low-paying jobs, and it was like a mental barrier where they couldn’t see the potential right in front of them,” says architect and Buildher cofounder Tatu Gatere. “So I wanted to help women see that.”

Buildher's founder, Tatu Gatere, photographed at the organisation's training facility in Nairobi, Kenya.

Buildher’s founder, Tatu Gatere, wants to give women the skills and confidence they need to enter and advance in the construction field.

For many women, Gatere says, simply hearing about others succeeding in the trades can make the idea feel possible. As a result, much of Buildher’s growth has spread through word of mouth, as graduates encourage friends and neighbours to apply.

Ojiambo, a single mother of two young children, was unemployed and having difficulty supporting her family when she first heard about Buildher from a friend in the informal settlement of Kibera, where she lives. “My life was so challenging,” she says. “But now I can support myself; I can support my kids.”

Ojiambo is already looking to the future. Within the next year, she hopes to start her carpentry business in Kibera. “Inside this company, some of the men still think we ladies are not fit for this kind of work,” she says, gesturing toward some of her coworkers.

“But if you know what you want and believe in yourself, you show them that whatever they can do, you can do better.”

Diana Ojiambi, 24, photographed at her workplace in the Furniture International factory in Nairobi, Kenya. Ojiambo is one of several former buildher students who have found work with the company.

Diana Ojiambi, 24, at her workplace in the Furniture International factory in Nairobi, Kenya. She is one of several former Buildher students who have found work with the company.

Sticking to it

Early on a clear weekday morning, clusters of young women gather outside the cobalt-blue doors of Buildher’s training centre inside Spectrum Business Park, a network of warehouse buildings with green corrugated roofs in Nairobi’s bustling Baba Dogo industrial area.

Orientation for a new intake of students has just wrapped up. In a conference hall near the entrance, 16 trainees settle into plastic chairs for an introductory presentation on solar installation, a course launched this year as Buildher expands into additional technical trades.

In a neighbouring warehouse unit, trainees crouch over a concrete floor, spreading tile adhesive into thin grey patches before dragging notched trowels through it to create neat ridges. Trainer Robert Ndungu moves between them, occasionally kneeling to demonstrate the correct technique. The women scrape the adhesive back into buckets, and the exercise begins again.

Students listen to their teacher in class at the Buildher Academy in Nairobi, Kenya.

Students at a Buildher Academy class.

“These women come here knowing nothing about tiling. By the end of this training, they are able to work, earn money and improve the life of their family,” Ndungu says. “That really inspires me.”

But Buildher cofounder Gatere says learning a trade is often only one part of the challenge facing women. Many arrive here carrying pressures that extend far beyond the workshop floor — from childcare and deep financial instability to resistance at home from husbands or parents uneasy about women doing construction work.

Others find it difficult to imagine themselves feeling safe in male-dominated workplaces where harassment is often rife. Reflecting on her experiences as an architect, Gatere notes that even as women increasingly entered leadership positions within their firms, construction sites remained hostile environments. “You’re supposed to be a decision-maker, but you’d still be getting catcalled and harassed by men,” she says.

Those experiences, combined with feedback from trainees and employers, have helped shape Buildher’s broader approach to preparing women not only technically but also emotionally and physically for work in the industry.

Buildher students take part in a yoga class at the training facility in Nairobi, Kenya.

Yoga classes (shown above) and callisthenics are part of the training to prepare women for construction jobs.

Elsewhere on campus, bass-heavy dance music pulses from a crowded gym class, where an energetic instructor leads around 30 trainees through squats, stretches and lifting drills. Across the courtyard, a similarly sized group gathers in a large warehouse for a yoga and mindfulness session, sitting cross-legged on their mats as another instructor shares tips on staying focused and remaining calm under pressure.

Buildher also employs a mental health coach and on-site nutritionist, while trainees attend group wellness sessions every two weeks – support systems shaped directly by feedback about the difficulties many women faced both at home and in the workplace.

Dalberg’s research, which surveys 354 women working in the construction industry, shows that such investments are paying off. BuildHer graduates reported not only higher incomes after completing the programme but also greater participation in household decision-making and stronger community support.

Students take part in a carpentry class at the Buildher Academy in Nairobi, Kenya.

Students hone their carpentry skills.

“They also take more pride in what they do,” says Naoko Koyama, a Dalberg partner who worked on the report, adding that the combination of technical and soft-skills training offers a model for other male-dominated industries.

One of the women taking part in today’s yoga class is 27-year-old Ruth Kiarie.

a single mother who joined Buildher’s painting and decorating cohort just two weeks earlier. Kiarie first became interested in painting while helping to renovate classrooms in Kibera, where she also lives, as part of a community leadership project.

At the same time, caring for her autistic daughter has made her think differently about colour and space. One day, she hopes to work in colour psychology, advising families and businesses on how different colours affect mood and behaviour. “You don’t have to just do blue or pink,” she says. “We can create more colours.”

“All about the mindset.”

Sprawling across 5,000 acres of former coffee plantations about 12 miles north of Nairobi, Tatu City is a private mixed-use development of housing estates, factories, schools and office parks and the most ambitious symbol of Kenya’s rapidly changing urban landscape.

A construction site at Tatu City where several graduates of the Buildher training program now work, in Nairobi, Kenya.

At Tatu City, a construction site where trainees worked and several graduates are now employed.

For Buildher, developments like Tatu City have become an important testing ground for its broader ambitions. Around 50 trainees worked on finishing and interior jobs inside Eneo at Tatu Central, a sleek glass-fronted office complex near the development’s entrance that now houses a growing cluster of Kenyan and international companies.

“The tiling contractor was so impressed with the quality of the women’s work that he then employed seven of them full-time,” says Pumi Lukhele, head of stakeholder engagement at Gateway Real Estate Africa, or GREA, which developed the building. She says contractors were equally impressed by the women’s professionalism and ability to take feedback, which she attributes to Buildher’s broader approach to training. Tatu City is one of roughly 150 employers that Buildher currently works with in and around Nairobi, as the organisation pushes to expand women’s participation in a far larger share of the construction industry. The hope is to increase women’s participation in skilled construction jobs from the current level of roughly 3% to 10% by 2030.

For Gatere, achieving those goals will require broader structural changes to an industry that, until last year, was not even required by law to provide separate toilets for women. Alongside its training programmes, Buildher now works with dozens of firms on issues ranging from harassment and equal pay to basic conditions for women on construction sites.

Looking ahead, Gatere sees a future where ensuring women’s safety, dignity and inclusion in the industry is no longer a constant struggle, allowing more of them to focus on bigger ambitions. “I see more and more women starting their own businesses. I see women’s collectives bidding for contracts independently,” she says. “We shouldn’t still be advocating for breadcrumbs.”

Further inside the development, a few residents lean over the metal balconies of newly completed apartment blocks, topped with solar water heaters, watching workers move through the exposed concrete interiors of a neighbouring building still wrapped in scaffolding and green mesh sheeting.

In a first-floor unit that overlooks a gravel footpath and a small wetland area, 22-year-old Margaret Klamaitha kneels on the floor, cutting and fitting bathroom tiles.

Tiler Margaret Klamiatha, a graduate of the Buildher Academy, photographed at work on a construction site at the Tatu City development on the edge of Nairobi, kenya.

Tiler Margaret Klamiatha works at a construction site at the Tatu City development on the edge of Nairobi.

Klamaitha completed Buildher’s six-month tiling programme last year and now works on a rolling three-month contract at Tatu City, her first full-time construction job. Though she says she enjoys the work, she views it as a way to gain experience. One day, she hopes to move into quality control, then eventually start her own construction-related business.

“It’s all about the mindset,” she says. “Once you start to do something as a woman, don’t let anyone put you down.”

Christopher Clark is a freelance journalist based in France. He reports on power, inequality and social change across Africa and Europe.

Tommy Trenchard is an independent photojournalist based in Cape Town, South Africa. He has previously contributed photos and stories to NPR on the Mozambique cyclone of 2019, Indonesian death rituals and illegal miners in abandoned South African diamond mines and won a World Press Photo prize for the images in his story for NPR on clashes between elephants and people in Zambia.



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St Kilda Saints vs Essendon Bombers Round 17, 2026:

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St Kilda Saints vs Essendon Bombers Round 17, 2026:

Essendon’s struggling season continued as St Kilda, particularly Nasia Wanganin Mallera, gave them a school holiday lesson in a 67-point win at Marvel Stadium on Sunday.

With a family crowd of 34,713 due to the winter school holidays, Wangin-Melira dominated the hapless, coachless Dons, shedding two taggers and showing once again the gulf between the current best Essendon players and the AFL’s elite.

Saints’ Nisia Wangenin Malera marks the ball.AFL Photo via Getty Images

Wanganeen-Milera equalled Lee Montagna’s St Kilda club record of 47 in 2013. But he wasn’t the only Saint to feast on the bombers. Bradley Hill and Max Hall got a share of the action as their side scored 10 goals in a row in the second term to lead by the same margin.

Together, Wangenen-Melira (24), Hill (24) and Hall (21) had more disposals at half-time than the entire Bombers team in the first term (66). And all three Saints finished with career-high disposal tallies.

Wanganeen-Milera also kicked a goal and gained 906 metres, while Hill collected 42 disposals, and Hall had 33 disposals, leaving the umpires with three clear candidates to share the vote on Brownlow Medal night.

Interim Dons coach Dan Solomon found few positives, aside from the tireless work and effort of Sam Durham and the growing partnership between young forwards Isaac Kaku and Nate Keady, who scored three goals.

Essendon were close to the Saints
Mattaes Phillipou is up against Sam Durham.Getty Images

While his shots at goal were off the mark, Caddy twice kicked the goal from a Kako pass, the second a handball to a football volley – even the easy goals were hard work for Don.

Essendon were close to the Saints on the scoreboard in the second half, but that meant little after their first-half dominance.

For the briefest of moments in the opening moments of the game, the Bombers looked poised to pounce on the Saints.

In the opening minute, the Saints won the footy and Wanganui-Melira looked to score inside the 50-metre arc, but Bombers veteran Zach Merritt dived in and almost brought down the Saints superstar.

Max Hall (No. 40) of the Saints celebrates with Bradley Hill of the Saints after scoring a goal.
Max Hall (No. 40) of the Saints celebrates with Bradley Hill of the Saints after scoring a goal.Getty Images

But Wanganin Mallera got a foot on the ball and nobody from Essendon was quick enough to catch the footy, allowing the Saints to regain it and lay it off to Darcy Wilson, who grabbed the opening goal.

From that point on the man known as “Nas” dominated and the Saints never trailed.

With first Will Satterfield and later Archer Daywicks unable to reduce their impact, Vangenen-Melira had 13 disposals and one goal in the opening term. Indeed, the only thing limiting the Saints was their wasteful kicking for goal, and the situation was improved when ruckman Rowan Marshall threaded the needle with a shot from the right boundary after the quarter-time siren.

Riots on the Gold Coast involving Suns and Magpies players following Ben Long's hit on Braden Maynard.

Anthony Caminetti, Hull and Mitch Owens scored early in the second period, with Hull dispossessing Vangenen-Melira after a 50m penalty against Daywicks.

“At least he’s showing some fight, sticking to his job,” former Saint Nick Del Santo said on Cayo Sports.

It was that kind of day for Dawn.

A 10-goal run by the Saints finally ended late in the second period when Durham’s desperation forced a turnover in the half that ended with Kaku unselfishly handballing Caddy to score from the square.

The Saints set themselves to finish the job in the second half and they largely did so, although the Dons managed to get some promising attacks down the wing – it was too little, too late.

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